Wizard Of Oz Script Movie Is Here#

Because of the wonderful things he does. 5.If ever oh ever a Wiz there was The Wizard of Oz is one because, Because, because, because, because, because. DorothyвЂ™s hair length actually changes during the film at one point it only reaches her collar bone, but towards the end of the film itвЂ™s past her shoulders. The munchkins were only paid 50 for a six-day work week said Jerry Maren, who played one, while the dog who played Toto was paid 125 a week 4.

It's good that she had that going for her after this film, because she was cuter at 16, and if you think that that's kind of weird to say, this film is so old that I think that it came out at a time when 16-year-olds were already married, with children, and a place in the Senate of the Roman Empire or something. We're off to see the wizard, the adequately entertaining, but somewhat dated and narratively thin 'Wizard of Oz'!' Yeah, they might be giving this film a bit more credit than it deserves just for being old, as well as innovative for its time, even when it comes to tone, because, let me tell you, when I was a kid, even I got kind of freaked out by the flying monkeys, and in 1939, I bet that they left the grown men stuttering like the Cowardly Lion for the next couple Judy Garland films, though that may have just been Garland's legs after she got good and grown up. Next page in the script >. The Wonderful Wizard of Oz.

Wizard Of Oz Script Movie Is Here

Well, lucky for MGM, 1939 was anything but the year they saw flop, because this film and its fellow Fleming flick were quite the hit, though that's not to say that this film comes close to the level of 'Gone with the Wind', being held back by a number of factors.OZ LINKS More than 55 Links to Oz Sites Professor Marvels wagon Lyrics Every song from the MGM movie is here TRIVIA Visit the Oz Trivia Page, and test your knowledge on the 60 questions there Fascinating Facts and Rarely Told Stories concerning the MGM movie The Wizard Of Oz, and L. Man, forget Fleming, this film and 'Gone with the Wind' bled Metro-Goldwyn-Mayer dry, so if they didn't succeed, Fleming would have his life to worry about more than his money (He made this film and 'Gone with the Wind' in one year, so it's not like he had all that much time to spend on having a life). Man, this trippy flick has always been mighty popular, and I'm betting Victor Fleming was glad of that, because if I'm going to make time to knock something the same year I did 'Gone with the Wind', I better get paid back well.

No matter what the nostalgic critics may say, you shouldn't expect much from this film, and sure enough, the final product doesn't offer all that much reward value, but it does offer much entertainment value, anchored by heartfelt storytelling, flavored up by a colorful style, and ultimately abundant enough to make a very fun, if flawed fluff classic.When it's time to go the way of Elton John and bid goodbye to the Yellow Brick Road, underwhelmingness stands supported by cheesy dating, pacing unevenness and, worst of all, a thinness in subject matter weight which is considerable enough for the final product to fall quite a ways short of truly rewarding, and yet, through a delightful soundtrack, exceptional art direction, lively cinematography and an at least colorful story concept, brought to life about as much as it can by charismatic performances - particularly from Ray Bolger, Jack Haley and Bert Lahr - and upbeat directorial storytelling, Victor Fleming's 'The Wizard of Oz' is left to stand as an improvable, but fun fluff piece of cinema's golden age. A young Judy Garland is fine and all, but Bolger's, Haley's and Lahr's color do more than you'd expect in bringing this fun flick to life, and yet, the performance that really drives the entertainment value of this fluff piece is a certain offscreen one by Victor Fleming, whose boastful atmosphere does thin subtlety no favors, but also adds much to the kick of tonal heights in storytelling, while keeping consistent in thorough entertainment value. The film may be stylistically strong, but it has only so much to offer when it comes to story weight, and even then, this timeless tale is by no means terribly unengaging, because it's so distinctly unique, as well as colorful at its core, particularly when it comes to presenting exceptionally memorable characters, brought to life by colorful performances, many of which have become rather dated as kind of hammy, but not so much so that you can't see the charm within most every member of this cast, especially show-stealingly delightful secondary leads Ray Bolger, Jack Haley and, last but not at all least, Bert Lahr.

Wizard Of Oz Movie Script